Exfoliating Mask, 2014 ≈
“Oh, I don’t know much of anything”
Transmission Tower: Sentinel
vid. install. with projectors and nine screens
Anonymous Flemish artist - Touch, detail. The Lady and the Unicorn series of tapestries (Musée national du Moyen Âge). Around 1484 – 1500
In 1974, Joseph Beuys did a performance called I Love America, and America Loves Me where he lived in a gallery with a wild coyote for seven days as a symbolic act of reconciliation with nature. In 1996, Tracey Emin lived in a locked room in a gallery for fourteen days, with nothing but a lot of empty canvases and art materials, in an attempt to reconcile herself with paintings. Viewed through a series of wide-angle lenses embedded in the walls, Emin could be watched, stark naked, shaking off her painting demons. Starting by making images like the artists she really admired (i.e. Egon Schiele, Edvard Munch, Yves Klein), Emin’s two-week art-therapy session resulted in a massive outpouring of autobiographical images, and the discovery of a style all her own. The room was extracted in its entirety, and now exists as an installation work.
Exorcism of the Last Painting I Ever Made (detail)